Playlists curated by those who understand what moves the dancefloor, the studio, and the algorithm.
Built for those who live sound — not just listen to it.
When I started thinking about these playlists, I wasn’t trying to create just another random collection of tracks everyone’s already heard. Honestly, I wanted something real, something that reflects what LGP has been about since day one:
a place where electronic music isn’t just about playing — it’s about feeling, discovering, and connecting.
Every track that makes it in isn’t just “one more.” It’s a bet, a distinct take on the scene, an authentic way to show what’s really going on out there — and what hasn’t even landed yet. Because to me, a good playlist is one that surprises you with songs you didn’t know you needed, but once you hear them, you can’t live without them.
That’s exactly what LGP Selection was made for: a place you go knowing you’ll find real curation, built by people who understand the difference between simply playing a track and actually shifting the energy of whoever’s listening.
This is for you — the ones who produce, who play, who live music every day and need fresh, bold, and above all, honest references.
These playlists exist because music is about exchange. And this is how I keep sharing with you everything I believe is worth being heard, produced, and lived.
Because true curation is for those who feel music — not just those who listen.
“We don’t pick what already blew up. We listen for what’s still quiet, but powerful. Sometimes it’s a drop no one’s talking about yet. Sometimes it’s a name popping up in small circles, but every DJ’s downloading it. That’s where we step in.”
“We look at the reaction. If it dropped and in two or three days it’s already spinning in stories, sets, went viral or hit an editorial… we catch it. Real hits don’t ask. They happen. We just record it.”
“We pay attention to repetition. If three or four DJs we follow drop the same track in different places in the same week, we investigate. If it works more than once, it’s in.”
“We don’t go by the vibe of the track. We move when it shows up three times in the same week, in different places, from people who don’t know each other. When that happens, it’s already moving on its own.”
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